Pink Floyd drummer Nick Mason is the latest musician to face a grilling by the readers in the new issue of Uncut.

In a candid and wide-ranging chat, he discusses his soon-to-be re-released solo projects, producing The Damned, what’s in the Pink Floyd archives, and the formation of his new ‘early Floyd’ band Saucerful Of Secrets

“What I didn’t really want to do was go out as another version of Pink Floyd and play the best of Dark Side and so on,” says Mason. “All this other material was there, lying dormant, and could be interpreted in a slightly different way… No, I didn’t ask [Roger Waters and David Gilmour] to join in, because that would be Pink Floyd. But I did tell them what I was proposing to do, as 
good manners, and I have to say both of them were supportive – which I found slightly disturbing! ‘Yeah, go ahead, make a fool of yourself…’ 
I know David has looked at 
a lot of it online.”

Asked if there’s anything left in the Pink Floyd vault, Mason replies: “Not much! I think there’s a re-release of Animals planned – it’s a record that would benefit from remastering. After many years of Abbey Road and Air Studios, this was done on a much more funky level, in our own studio. So it perhaps lacked a bit of that sharpness and sparkle you get from Abbey Road.”

Another reader wonders why Pink Floyd snubbed Stanley Kubrick when he asked to use some of “Atom Heart Mother” in A Clockwork Orange. “Probably because he wouldn’t let us do anything for 2001,” says Mason. “It sounds a bit petulant! I don’t remember whether he did ask for something from Atom Heart Mother. We’d have loved to have got involved with 2001 – we thought it was exactly the sort of thing we should be doing the soundtrack for.”

Naturally the questioning eventually turns to the subject of potential Floyd reunions. “You’re asking the wrong person!” claims Mason, although he refused to rule anything out. “I saw a quote where someone said, ‘On my tombstone it’ll say: I’m still not sure it’s quite over…”

The October 2018 issue of Uncut is now on sale in the UK – with Jimi Hendrix on the cover. Elsewhere in the issue, you’ll find exclusive features on Spiritualized, Aretha Franklin, Richard Thompson, Soft Cell, Pink Floyd, Candi Staton, Garcia Peoples, Beach Boys, Mudhoney, Big Red Machine and many more. Our free CD showcases 15 tracks of this month’s best new music, including Beak>, Low, Christine And The Queens, Marissa Nadler and Eric Bachman.

You can read much more of An Audience With Nick Mason in the new issue of Uncut, in shops now or available to order online (free P&P) here.

Roger Waters Recently premiered “Broken Bones” from the 2017 album “Is This The Life We Really Want?” live at Royal Arena, Copenhagen, Denmark on 10th August 2018

The new issue of the UK’s Prog Magazine is published today (July 19th), and amongst the interesting articles about various artists who fall within the progressive music sphere, there’s a very enjoyable, and insightful, interview with Nick Mason and his new band members Gary Kemp and Guy Pratt about their Saucerful Of Secrets supergroup, the joys of improvising, and why they definitely won’t be doing Comfortably Numb.

Accompanied by a couple of great, double page shots of the band backstage, and in action in their recent intimate London gigs, the interview is a fun and insightful look at how the band came together, what informed the set list, the importance of improvisation – as was done by the Floyd in their earlier days – and throughout it is clear how much all the band are enjoying the experience.

Peter Gabriel’s on the front cover as there’s a look at what went on when Peter left Genesis in 1975 up until the release of his first solo album Car in 1977 – a fascinating 20 months in which he grew cabbages, worked with a poet, released a little know single, covered The Beatles, went to see Bruce Springsteen and the Sex Pistols, and got Robert Fripp, Phil Collins, Sandy Denny, Keith Tippett and Percy Jones to play on a single by comedian Charlie Drake. And finally, with help from old Genesis pals Anthony Phillips and Richard Macphail, emerged as the solo artist in his own right, all illustrated with a load of previously unseen Gabriel pictures.

Also in Prog 89, Is an interview with Bev Bevan, the former ELO and Black Sabbath drummer, articles on other prog artists, concert and album reviews, and a cover mounted CD including music from Big Big Train, Regal Worm, Southern Empire, James McFadden and more.

Prog Magazine is available in most major uk newsagent outlets, You can also purchase it online by clicking here.

“Just for once, we couldn’t find an anniversary,” Nick Mason says with a laugh, explaining the imminent arrival of Unattended Luggage, a new box set of the Pink Floyd drummer’s solo work, on August 31st. The three-disc reissue, in vinyl and CD editions, collates Mason’s eclectic releases under his own name in the early and mid-1980s, as Pink Floyd hit their theatrical peak with The Wall, then ruptured over creative control and direction. Nick Mason’s Fictitious Sports, made in 1979 but not issued until 1981, was the drummer’s holiday in the jazz avant-garde, recorded with a large corps of American musicians performing compositions by the pianist Carla Bley. The synth-heavy prog-pop of Profiles, from 1985, and the 1987 film score White of the Eye came out of an extended period of collaboration with 10cc guitarist Rick Fenn that included creating music for advertisements and documentary soundtracks.

“It was a very dead time,” Mason says, referring to the four years between The Final Cut, the Floyd’s last album with bassist Roger Waters in 1983, and the group’s late-Eighties rebirth with Mason, guitarist David Gilmour and keyboard player Richard Wright. And, the drummer insists, “I found this other work absolutely fulfilling,” including the commercials. “‘Jingle’ is such a derogatory word. But if you get it right, there is a great sense of satisfaction.”

Mason is also on the phone from London to enthuse about his return to live performance – 13 years after the classic Floyd lineup’s last concert appearance in 2005, at the Live 8 concert in London’s Hyde Park – with Nick Mason’s Saucerful of Secrets, his first band as a leader. The quintet features Mason, now 74, and bassist Guy Pratt, who played with the post-Waters Floyd and Gilmour’s solo band, with an unlikely pair of deep-cut fans – guitarists Gary Kemp of Spandau Ballet and Lee Harris from Ian Dury’s Blockheads – specializing in the Floyd’s psychedelic and space-rock canons prior to 1973’s The Dark Side of the Moon, with an emphasis on the compositions of founding guitarist Syd Barrett.

The set lists at Saucerful of Secrets’ four London club shows in May included the Floyd’s early, improvising signature “Interstellar Overdrive”; the galactic title piece from Gilmour’s 1968 debut, A Saucerful of Secrets; rare outings of songs from the ’69 and ’72 soundtracks, More and Obscured by Clouds; and, in the encore, “Point Me at the Sky,” a 1968 single that Mason can’t remember ever playing live with the Floyd. He tours England and Europe with his Saucerful of Secrets in September and expects to bring the group to America in 2019.

The full interview is available to read online by clicking here.