Fans of Pink Floyd will soon get a special opportunity to hear one of the band’s most famous live performances like never before, as part of a special exhibition on the band at London’s Victoria and Albert Museum.

The museum has partnered with Sennheiser to present a 360-degree recording of Comfortably Numb from Pink Floyd’s famed Live 8 performance in 2005, the last time that the band’s classic lineup — guitarist David Gilmour, drummer Nick Mason, keyboardist Richard Wright and bassist Roger Waters — ever shared a stage together.

The demonstration of the latest 3D audio technology seems particularly well-suited to the famed classic rock outfit, who helped pioneer the use of surround sound in the music industry decades ago.

“We have been using Sennheiser equipment ever since Pink Floyd started out as a live band,” said Mason of the collaboration, “It is only fitting that they provide the audio experience at our exhibition.”

To achieve the feeling of being at the concert in person, the team from Sennheiser will employ 25 speakers and its Ambeo 3D technology, which places sound both around and above the listener for a fully immersive audio experience.

This isn’t the first time that fans of Floyd have been able to hear this technology applied to their music. The company premiered the mix to an exclusive audience at Abbey Road Studios, where the band recorded iconic records like Dark Side of the Moon, earlier this month.

Pink Floyd engineer Andy Jackson worked closely with the audio wizards at Sennheiser and producers like Simon Roads (Spectre, Avatar) at Abbey Road to make sure the mix was up to snuff.

The exhibition called Pink Floyd: Their Mortal Remains,  will open at the museum on May 13.

Identity is the only album by Zee, a short-lived side project of Pink Floyd keyboardist Rick Wright, a duo partnership consisting of Wright and Dave Harris of New Romantic outfit Fashion, released in 1984. The album was written and produced by Wright and Harris and all the lyrics were penned by Harris.

Dave Harris recently posted on social media that he is “Looking towards remixing and re recording certain tracks from the Zee album with Richard Wright, with a view to a digital release of the original album as it stands and a separate album of re worked songs from ‘Identity’, using Ricks recorded work from 1984.This will involve certain old friends of mine, with whom I have played and conversed with over the years. I cant say anything else at this stage, only to promise that the new tracks will shine with Ricks posthumous involvement.”

In the latest update from Rogers camp we can confirm that the new album will indeed be released on May 19th with the title  “Is This The Life We Really Want?”. We suspect the opportunity to pre-order the album will be announced very shortly.

A week after last year’s U.S. election, Barack Obama made a speech in which he lambasted nationalism “built around an ‘us’ and a ‘them.'” It was a phrase that resonated with Roger Waters, and not just because he’d co-written a song called “Us and Them” when he was in Pink Floyd.

“It’s because I agree with [Obama],” says Waters, who is working on a new album in a New York recording studio. “There is no ‘us’ and ‘them’; it’s an illusion. We are all human beings and we all have a responsibility to support one another and to discover ways of wresting the power from the very, very few people who control all the cash and all the property.”

That notion that we’re all in this together is one of the major themes the former Pink Floyd singer and bassist will highlight on his upcoming arena tour, also dubbed Us + Them, which kicks off a North American leg in May. He’s promised a spectacle worthy of following up his blockbuster The Wall tour for the trek, and it will feature a mix of older songs with a taste of some new songs, since the tour coincides with the release of a new Waters solo album, Is This the Life We Really Want?, which he says also addresses concepts similar to the tour.

The singer, age 73, says the tour and album fall in line with the sense of discontentment that he’d previewed when he posted video of himself performing the Animals track “Pigs (Three Different Ones)” in Mexico City last October in front of projections of Donald Trump juxtaposed with the word pendejo (“stupid”). “I was wanting to make a strong point of my disapproval of the Donald and everything that he stands for before the election,” he says. “Sadly, it didn’t seem to have quite enough effect. I wrote a long speech that I was gonna make at Desert Trip, but I didn’t because it would not have been good theater. I’ve still got that speech written, and I think I might post it at one point.”

Ever outspoken, Waters is ready to take his message of humanity on the road and play it before giant audiences, even if it alienates a few fans along the way. “Out of the 80,000 people at Desert Trip, I’m guessing maybe 1,000 got up in disgust and walked out of my performance – I don’t know for sure,” he says. “But there was a very small number people who were upset that I was lampooning the nincompoop.”

In a wide-ranging interview with Rolling Stone, Waters talks about the intersection of his musical and political views.

To read the Interview in full you can do so by clicking here